Every module finishes a real job inside Premiere.

01 · CAPTIONS

Speech, word for word, on the timeline.

Laying out captions by hand is editing's biggest chore: listen, type, time it, align it — then the client changes one word and you start over. Wrestling with SRT files, outside tools and broken Turkish characters is the icing on top.

Oggi pulls the audio straight from your sequence, through Premiere's own render engine — no export hassle. It transcribes speech with word-level timestamps, restores punctuation, and never splits apostrophe-linked words like “Kadıköy'de”. Captions land on the timeline as transparent visual layers: they don't occupy video tracks, don't write over your existing clips, and can be selected and moved individually.

• Word-level timing — karaoke highlight included
• Respect for Turkish — apostrophes, punctuation and proper nouns handled correctly
• Ready-made style cards + editing from the panel
• No wrestling with SRT — fix it, apply it, done

02 · FILLER CLEANUP

“Iıı”s and “eee”s leave the edit.

In an interview, a vlog, a corporate shoot, the speaker says “ııı” while thinking — and you end up hunting them down on the timeline one by one to razor them out. The sneakiest ones never even show up in the transcript: they never made it to text, but they're still sitting in the audio.

Oggi works in two layers. The acoustic layer catches non-lexical sounds like “ııı, eee, mmm” — straight from the audio itself, even if they never made it into the transcript. The lexical layer only flags real words like “şey, yani, işte”: they might be part of the sentence, so the decision stays with you. Cuts you approve are made with ripple delete: no gaps left behind, the next word's start is never chewed into, video–audio sync stays intact.

• Acoustic detection — even fillers that never made it to text are found
• Real words are never auto-deleted — they're flagged for you to review
• A list before any cut — listen, decide, then cut
• Precise cuts — never spills into the next word, sync never breaks

Also in the box: the Profanity Filter — manage unwanted words with Beep / Remove / Censor modes.

03 · SILENCE CUT

Dead air closes in one pass.

Three-second gaps between sentences kill a video. Cleaning them up by hand takes hours: find, razor, delete, shift the clips — and if audio and video ever slip apart, everything gets messy.

Oggi analyzes your sequence's audio and finds silent regions based on the threshold (dB), minimum duration and padding you set. Every region to be cut is shown in a visual preview first — no surprises. Once you approve, every cut happens in one pass with ripple delete: clips shift left, the gaps close, and the video–audio link stays intact — drag a clip afterward and its audio comes right along with it.

• Threshold, minimum duration and padding — all under your control
• Visual preview — see what gets cut before it happens
• A/V link preserved — clips move together
• Full sequence or an In/Out range — you draw the scope

04 · BEAT MARK

Your cuts land on the beat.

Cutting in sync with music means counting beats by ear and hitting M on every single one — hundreds of times in one song. Miss one beat and the whole cut loses its rhythm.

Oggi analyzes the beats and BPM of your music and marks every beat on the timeline as a sequence marker. Analysis runs entirely inside the panel, fully local: your music file is never uploaded to any server, spends no credit, doesn't even need internet. Once the markers are in place, you cut beat to beat using Premiere's own marker navigation.

• BPM detection and a beat grid
• Sequence markers — one analysis, every beat in place
• Local analysis — audio never leaves your machine, spends no credit
• Honest note: works best on music with a clear, strong rhythm